By the early 1940s he was playing Harlem clubs like Mintons and Monroes uptown abide wit h fellow innovators Kenny Clarke, Dizzy Gillespie and Charlie Parker. In the middle 40s he direct groups under his own name, worked with Coleman Hawkins, and was with the Dizzy Gillespie Orchestra for a firearm; but he did not work regularly until the mid 50s when he finally became recognised for the contribution he had make to the new jazz and started recording ...If you want to get a climb essay, order it on our website: OrderEssay.net
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